Liberace, King of Bling.
Liberace Candelabra. Credit: Jonathan Warren.
At 87, Martin Sherman is doing something he never expected to do professionally: stepping onto a stage as an actor.
Sherman has spent most of his life writing for theatre. His play Bent is regarded as one of the defining works of twentieth-century theatre, and its 50th anniversary is approaching.
Now, in I’ll Be Seeing You, he finds himself on the other side of the words, performing in his own play alongside Simon Russell Beale.
It is a very different position from the one he has occupied for most of his career. And it is something Sherman once thought he had left behind.
A Second Chance
“The problem was I wasn’t any good,” he says. “I wasn’t at ease with myself. I didn’t really know who I was, and I wasn’t comfortable with myself. I wasn’t comfortable with my body. I wasn’t comfortable with anything about me, and you have to be in order to be a genuinely good actor. So I just wasn’t ready in any way.”
“Yeah.”
Living Inside Your Own Words
“I don’t write to be read. I write to be acted, only to be acted,” he says.
“There’s a great joy in that, which you don’t really get in the same way on film, because it’s in pieces, and it’s different.”
“Because it’s bliss.”
Fra Fee and Martin Sherman in rehearsals. Credit: Olivia Attwooll-Keith.
The Long View
“Darling, you’ve got to stop this,” Ramsey told him. “It’s not about a production. What you have to think about is that you have a career.”
“It’s the long run.”
“I’m very, very, very, very old,” he says. “And you should do things you’ve never done when you’re very, very, very old. You should have adventures.”
For more of Martin Sherman’s wisdom from this extended interview, and for more special photographs of Mr. Showmanship himself, Liberace, purchase an I’ll Be Seeing You programme, featuring this exclusive content.
Martin Sherman’s memoir, On The Boardwalk, is also available to purchase from our theatre shop, offering readers the opportunity to explore more of his life and remarkable career.